This review may contain minor spoilers.
Fittingly, ‘X-Men: Apocalypse’ is a film that relies heavily on gene-splicing. Bryan Singer’s second mutant trilogy conclusion plays out like the original three films on a comeback tour: we have the the heavy-handed Holocaust memorial of the first film; the snowy locations and Jean Grey sub-plots of ‘X2’, and the CGI-reliant, inconsequential deaths of ‘The Last Stand’. The latter film is openly mocked in one scene, as one of the X-Kids, after seeing ‘Return of the Jedi’, claims that the ‘third film is always the worst’. Thank En Sabeh Nur, then, that ‘Apocalypse’ just about avoids this seemingly inevitable doom.